OK, so one more Kane play (4:48 Pychosis) to cover this coming week after which expect a stab at Howard Barker. Or Edward Bond. Plus all those other people I’ve already promised (Genet, Lorca, Churchill), with an ongoing chronological series of posts on happenings on the way besides. It’s exhausting to imagine.
But – just for today – thought I’d play catch-up by supplementing my previous series on Maeterlinck with a selection of performance clips. I like this feature. Try doing this in a newspaper (and click through for source / credits).
The Death of Tintagiles was the last of Maeterlinck’s plays to feature marionettes alongside actors (although he preferred puppets to people), and apparently relates the story of a queen sending for the surviving child of a family she has had murdered to complete the job herself. She is successful. PS: Maeterlinck did not get on so well in Hollywood (other clips from this almost Lynchian presentation if you click-thru).
And here’s a bold staging of his opera with Debussy, Pelléas et Mélisande, played up and down invisible staircases. The clash between their tradional costumery and what seems to be a stark geometric mountain is especially good.
And – not the clearest videocapture of The Blind, but placing the figures on sterile plinths is a nice touch. Additionally, excuse the excruciating ‘eye-opening’ unjoke in the introduction (and thumb-up soft-soaping) in this news piece on a production of the same played entirely by blind people.